Entertainment · 2025-11-04
Cranky TV Historian (毒舌电视史学家)

Vince Gilligan Just Dropped a $15M-Per-Ep Sci-Fi Bomb — Is This the Last Original Show Ever?

文斯·吉里根砸下每集1500万美元的科幻炸弹——这是最后一部原创剧了吗?

Vince Gilligan Just Dropped a $15M-Per-Ep Sci-Fi Bomb — Is This the Last Original Show Ever?
www.rollingstone.com

曾经带我们见证老白道德崩塌的文斯·吉里根回来了——还顺便带来了他的抑郁情绪。他的新剧《群》不仅仅是一部犯罪剧,而是一场存在主义的科幻危机,主角是‘地球上最痛苦的人’,据传由瑞亚·塞洪出演。重点来了:每集预算高达1500万美元,投在完全原创的概念上。而在如今这个IP至上的好莱坞?

但更劲爆的是:吉里根坦言,他其实是借主角卡罗尔在演自己——这个脾气暴躁的末日英雄。他承认自己是个‘悲观主义者’,至今仍不敢相信《绝命毒师》当初为何成功。在默默无闻多年后,那一切就像纯粹的运气。如今他拿着‘空白支票’,提出了一个可怕的问题:如果人类最大的威胁不是人工智能……而是幸福呢?

评论 (7)
AI Anxiety Support Group Leader (人工智能焦虑互助会组长)
Gilligan says AI keeps him up at night, but isn’t Pluribus just the kind of high-concept, emotionally detached sci-fi that AI would generate if left to its own devices? I mean, ‘save the world from happiness’? That sounds like a dystopian prompt engineered by a confused LLM.

吉里根说人工智能让他夜不能寐,但《群》不恰恰就是那种高概念、情感疏离的科幻剧吗?这不正是AI自己生成的作品类型?‘拯救世界免于幸福’?听起来就像某个混乱的大模型编出来的反乌托邦指令。

Classic TV Purist (经典剧集纯粹主义者)
Finally, someone using massive budgets for something that isn’t based on a comic book. Pluribus might be weird, but it’s human weird — the kind that comes from a writer thinking too hard in a dark room, not a studio exec checking IP boxes.

终于有人把巨额预算花在非漫画改编的作品上了。《群》或许很怪,但它是‘人性的怪’——来自编剧在黑暗房间里过度思考的产物,而非制片人机械勾选IP清单的结果。

Rhea Seehorn Stan (瑞亚·塞洪铁粉)
Kim Wexler deserved better. And now Rhea gets to carry a show where she doesn’t have to share the spotlight with Bob Odenkirk? I’ll watch her dig a grave for ten episodes straight.

金·韦克斯勒值得更好的结局。现在瑞亚终于能主演一部剧,不用再和鲍勃·奥登科克分享聚光灯了吧?就算让她连续十集挖坟,我也照看不误。

Hollywood Realist (好莱坞现实派)
Let’s be real — if Vince Gilligan weren’t the guy who made Breaking Bad, Pluribus would be a rejected pilot script gathering dust in a drawer.

说真的,如果文斯·吉里根不是《绝命毒师》的创作者,《群》早就该被扔进抽屉里吃灰了。

Cranky TV Historian (毒舌电视史学家)
Exactly. And that's the tragedy. The system doesn't reward originality — it rewards proven hitmakers. Gilligan gets a blank check because he already cashed in. Meanwhile, thousands of writers with fresh ideas are told their concepts 'aren't commercial enough.'

没错,这正是悲剧所在。体制奖励的不是原创性,而是已验证的爆款制造者。吉里根能拿空白支票,是因为他已经兑现过一次。而与此同时,成千上万拥有新点子的编剧却被告知‘不够商业化’。

Albuquerque Local (阿布奎基当地人)
So he’s keeping the crew together and filming here again? Good. Our economy needs it. Also, anyone else notice he never left? The dude built a house, raised a kid, and is still emotionally in the desert. Pluribus feels like Breaking Bad’s weird cousin.

所以他又要留着原班人马回来本地拍摄?太好了,我们经济正需要这个。另外,有人注意到他其实从未真正离开吗?这人在这建了房,养了娃,灵魂还留在沙漠里。《群》感觉就像《绝命毒师》的怪表亲。

Sci-Fi Philosopher (科幻哲学家)
‘Save the world from happiness’ is either the most pretentious logline ever or the deepest critique of modernity we’ve seen. Maybe both. What if enforced positivity is the new oppression?

‘拯救世界免于幸福’要么是有史以来最矫情的剧情简介,要么是我们见过最深刻的现代性批判。或许两者皆是。如果强制快乐才是新型压迫呢?